Sassyangelac


It is still raining. Maybe it needed to rain this long to prompt me to doodle! Here's a new one for you. Fence Line Impressionists.
Doodling is a dandy indoor sport.
(c) 2012, ACG

Bella's challenge this week asked me to produce an image of one thing I really love. Just one? Honey please! Let me give you twenty! Just one example of anything is a challenge for me. I always balk at the Name Your Favorite ___________ questions too because I am loathe to narrow things down to just one and call it better than all the others. Even after I pick something there is always that annoying justification for why I picked one thing over another that just makes the whole process feel unsatisfactory. Sigh. For the purposes of a photo essay prompt, however, I do get it that one image is the only practical choice. Thank you Bella, for not asking for a favorite. I love so many things. This is just one--not better or best or favorite--just one.
I pulled this image from the archives of my trip to Oregon. I was still drinking coffee on the hotel balcony when this older couple went running by in the rain. A few hours later I would follow them in a run of my own that left me bleeding and laughing with a great story to tell for years to come. Running is one thing thing I really love. Travel is another. Adventure is yet another. Writing, yoga, philosophy, mystery, serendipity, sex, art, enlightenment and on and on but the road and led me all of these things was the one I ran upon. I can trace my love of so many things I cherish today back to the day I started running. It changed my life.
Let me also say that I love the irony of using a statement such as "running changed my life" because running has been the only constant in my life over the last twenty years. Everything else has changed and I do mean everything. Many things have come and gone. Hell, I have come and gone. I certainly have changed along with everything else too. How many homes have I had in the last twenty years? I've moved to six different states, bought two houses, rented a dozen others, and changed jobs at least as many times. I said hello and goodbye to how many friends? I've married and divorced and married again. Became a vegetarian; started eating meat again. I've traveled across the country and back again multiple times. I've picked up new hobbies and dropped them in favor of others. I've learned and forgotten and relearned life lessons. Started writing, stopped writing, started writing again. I lost parents and gained children. I found love, lost love, then learned what love really is (and isn't). I changed my religion. I changed my politics. I changed my body.
Throughout it all, the thing I've never given up no matter how tumultuous the changes were is running. I have now been a runner longer than I have been anything. One of the most important life lessons I learned is that nothing lasts without changing, so of course my running has changed too. It's always changing to keep up with the ebb and flow of my life but I haven't stopped running (barring injury) since I began all those years ago in the desert. No one does anything this hard for this long if they don't love something about it. All the reasons I love running belong to another blog but today the reason is the metaphor of this long strange journey of mine through change and growth and death and new life. I've run through the process of ignorance and wisdom and attachment and impermanence and journey on knowing that I may accumulate nothing in this life that cannot be lost. I must adapt to the conditions and the terrain in order to keep running. My hands must remain empty in order to keep running. I run on bearing only what can be carried by my heart.
(c) 2012, ACG

I found more of that love I've been slinging around. This time it came back to meet in the produce aisle at one of the Field Trip Stores. This is what The Chef and I call the fancy supermarkets with all the organic/exotic/gourmet stuff. We take field trips to the west side the city when we can't find specialty items such as Irish banger sausages for St. Patrick's day. I usually stop by the heirloom tomatoes just to fondle them and giggle and gawk at their funny shapes, sizes and colors. I almost always leave with one too--so delicious and strange! This one was a messenger delivering back to me another portion of the love I've been dishing out. A huge portion; this massive mater was easily 8 inches across. You'll notice it dwarfing the normal-sized relatives underneath it. The size of it was only one delight. The heart shape was obviously the more poignant (and sassy) delight.
Tonight we will toast our Gaelic brethren though my observance of St. Patrick's Day is a little rebellious. I deliberately wore no green because I like getting pinched! Tomorrow we will eat puckered heirloom tomatoes and feel the love of many nations. Slainte, my readers! The sausages are ready--time to get my bang on.
(c) 2012, ACG
Lamps at The Local Flavor. Our favorite brunch spot from last weekend (and every weekend away) features a wrap around ledge filled with kitschy vintage lamps decking the rim of the room. On a cloudy mountain morning they warm up diners before the coffee even hits the cup. I haven't done much in the creative arts today because I've been mired in spreadsheets but its never far from my mind. I am considering stealing this idea for my office so that I can turn off the awful overhead flourescent tubes. It already looks like an art gallery in there. I love it that people walk in, take a look around, and have no idea what kind of work is done in my office. It's wall to wall art and consignment furniture. A giant peace sign. A long-necked cat. A Chill Monster. What the hell do you people do in here? Fondling the whimsy!
I'm off for Spring Break this coming week so I have no idea what that means in blogging terms. I might blog every day or I might not blog at all. We'll just have to see how the week goes. I'm not going away. I'm staying local and working on home improvements to The Jesus Crack House. I have a concrete floor to stain, a lattice wall to take down, a hedge to plant, and hopefully a fountain to install. If there is time I also hope to re-grout a shower and continue spring landscaping. After that's over I might squeeze in some hiking and a picnic. I will also run every day. I imagine I will put fingers to keyboard at some point. Working with my hands always fires my creativity so the words will come as I get dirtier and sweatier and I'll need an outlet for them sooner or later.
Adult Spring Break is a hoot. It never mattered to me much when I was still in school because we were too poor for debaucherous trips to Florida. Spring Break just meant sitting around the house with an unwanted babysitter (even after we were in high school) waiting to go outside. We weren't allowed to leave the house until my dad got home from work. We couldn't go swimming or bike riding or even lay under a tree reading a book until he came home sometime after 6 pm. This is why I affectionately refer to my childhood home life as North Korea. We weren't allowed to watch 95% of what was on television. We were only allowed to talk on the telephone for 10 minutes at a time and even then it had to be in the kitchen in full view of the family. We were not allowed to eat between meals. We were not allowed to take naps after school. All books and magazines had to be screened before we could read them, including those from the school library. Clothing had to be preapproved. Make-up was forbidden. Church in a dress was mandatory three times a week. I could go on and on but I won't.
Anyway, in college I was already working two jobs so Spring Break was mute. As an adult with no children to take on a family vacation Spring Break was also mute. So here I am now as a middle-aged adult working for an organization that observes Spring Break and suddenly it is no longer mute. It's a hoot. My first real Spring Break at 40! AppleJack took the week off too. It is the same temperature here in Central Arkansas today that it is in Florida, so minus the beach and an overpriced hotel room I've got myself all the right conditions for an honest-to-goodness Spring Break experience. Wine rack is full. Chef is on duty. Air conditioning is on. I know you're thinking I ought to be doing something besides manual labor with it but this actually what I want to do with my week. The crushing heat of summer will be here all too soon so this is prime production time for a sassy household.
Maybe if time allows I'll go crappy lamp hunting. Or just lay under a tree reading a book. Or put on a bunch of make-up and eat a snack at 2:30. It could get wild with no rules, you know. Enjoy the weekend my readers! See ya when I see ya.
(c) 2012, ACG
I just can't seem to shake the dream I had last night. I'm trying to concentrate on finishing up a few projects before we close for Spring Break but this dream is demanding my attention. I don't even really know why. It wasn't confusing or disturbing. It was very peaceful and really kind of quiet. I just keep seeing the images over and over in my mind and remembering how I felt. I felt that I should warn all the adults in the room that the grandchild was reaching to play with a mouse. That's a mouse, by the way. Yoohoo! Hey, that's a mouse. But the mouse was so old it was deemed harmless. I had never seen a mouse with curly fur. I thought it was just a big dust bunny on first sight. The little girl didn't hurt it and wasn't afraid of it. The mouse didn't seem all that worried either.
I remember how much I wanted to touch the body of the woman who had so much plastic surgery that her skin on her belly and chest didn't even look real anymore. She was so unashamed of all her surgery--proud even; as if she were trying to prove that she had done something about her ugliness and was therefore absolved of it. I felt sorrow for her body. I wanted to heal it. I kept wanting to touch her and ask her if she could feel it but she only said over and over how fat she used to be and pointed out this place that used to be wrong and that place that used to stick out and on and on and on. Her breasts were so misshapen but she could only see with satisfaction that she wasn't fat anymore. The way her skin looked didn't matter to her. Her nakedness in front of me didn't even matter. I still see her eyes narrowed, waiting for me to approve. All I could do was touch her and wonder to myself what she really looked like before.
I can't stop thinking about the old woman who had given up and was ready to die. She was so depressed she was beyond sorrow. Nothing mattered to her; not even the fact that she was dying. I got there before her family did. They must have known she was dying too. I said to her before they arrived, Your children are coming to see you. Your grandchildren too. She didn't care. She was done. She didn't even seem to mind that I was in her house. She sat matter-of-factly with her chin resting in one hand and slumped, waiting for me to take her away. I didn't get to see her die. She had gone back to her bedroom. I was in the kitchen but I felt her dying and it wasn't until that point in the dream that I knew why I was there. Families members came down the hallway from her bedroom and told me she was dying.
Oh I wish I could have stayed asleep so I could know what I did next! What did it look like? How was I able to do this?
This makes me remember all those dreams I had in which I saw people dead or dying. I still remember being under the water in that lake and seeing that couple drop silently into the water and settle on the bottom with their mouths open. I remember standing by that ditch in England and knowing that a girl was buried there. Dreaming about Connie's deal relatives...So many dreams like that and now this one in which I have come to take a dying woman away. What the hell is this? Where was I taking her? Where did I come from? Was I coming back after she was delivered? Was I still human? Was I a ghost? Why was no one afraid of me? This doesn't make logical sense--that's the most intriguing part--yet it all felt completely natural and reasonable. I suppose that's why I can't let it go. It conflicts with what I think I understand yet it doesn't feel wrong or fake or even scary. My logical mind is questioning it in known terms and parameters but I was operating freely in the dream within unknown terms and parameters.
I remember when Elle Steeple and Mish Steeple would discuss my dreams and one said to the other "This is gonna be big!" This certainly feels big. Bigger than I can even understand. Maybe know that I've written it down I can clear my head a little and be productive. Or maybe I'm not supposed to clear my head. Don't know. I'm listening though. And waiting.
(c) 2012, ACG
The Magic Tea Cup has given me a snake sticking out his tongue this morning. It could also be a turtle or a chameleon. ** hiss **
Being contentedly free of Biblical pressures, I tend to agree more with the cultures that use snakes as symbols of healing and transformation rather than evil. It fascinates me to no end that the evils of the world are committed by human beings rather than snakes or any other creatures, yet symbols of human beings aren't typically used to represent evil. I see devils and snakes and bats and bugs and mythological creatures representing evil but never the evil doers themselves--the humans. The only exception seems to be depictions of war, which even then is considered by some to be a necessary evil, so humans get a pass. It's really the biggest crock of doody we could possibly dream up--convincing ourselves that we couldn't possibly commit the evils of the world without some kind of outside influence.
Let me also go on record and say that I don't believe in Satan or demons or any of the traditional scapegoats that are typically blamed for the evil deeds of men (and women). I don't think we get to blame our evil deeds on mythological beings. We have to own what we do in this world; we don't get to pass the buck of responsibility and say that something or someone seduced us into evil deeds. It's a cop out, in my opinion. We don't want to believe that the evil forces of the world are man-made and not devil-made. It is frightening to think that the forces that compel us to cheat, steal, lie, rape, and murder are really our own, isn't it? It is much easier to ascribe those compulsions to an evil spirit, isn't it? That way we don't have to face the truth about ourselves, we can just play the victim right along with our victims.
I tend to believe that no one can deliver me from evil but me. Why? Because I am the only one who can stop being afraid. All of the evils we commit are rooted in fear. I look back on all the bad decisions, misdeeds, and lapses of judgment of my past (and present) and recognize that every time I did something I regret I did it out of some kind of fear. Sometimes that fear had also become anger or hurt but at the bottom of the lies and the delusions and the crappy justifications I know the root cause was always fear of something. I believe this is universal to the human condition, which is why we all cause suffering and why we all suffer. Inventing an evil creature to take the blame for it is the way we cleverly sidestep having to deal with that truth. We transfer it all to this terrible being and then live in more fear of the terrible being and thus the cycle continues.
This is why it has become so important to be real and truthful all the time, with everyone, in every possible situation--so that I don't make decisions out of fear or shame or anger or hurt.
The only way to conquer evil is not to create it and not to perpetuate it.
I realize even as I write this that very few of my readers can probably embrace this philosophy because most are steeped in traditional Judeo-Christian doctrine which is their truth. That's okay. This is why I call myself a congregation of one. My intention is not necessarily to convert anyone, it is simply to tell my truth as I said--everywhere--even here staring at a serpent's tongue. When the image of snake shows up in the bottom of my tea cup I don't take it as a bad omen or an image of evil. I take it as a prompt to shed old skin and renew my creativity. I take it as a prompt to heal old wounds and fears with the truth and as an assurance that the greatest source of wisdom in the universe is simply being alive and paying attention.
(c) 2012, ACG
The Magic Tea Cup has spoken again. "C" for yourself what it had to say today:
The letter C could be just about anything (or nothing). Most interestingly, I dreamed about a blue Cadillac last night. Make that a blue Cadillac pedal go-cart that could fly. I was so enamored with this thing in my dream even though it is totally foreign to me in real life. It was old and beat up but oh, I loved it so. It didn't fly until near the end of the dream so I really loved it because it was so unique and kitschy; the flying part was a bonus surprise at the end. The C might be something else (or nothing else)--who knows? It's a neat image though.
My adventure away was everything I wanted; the race was hard and the rest was relaxing. It helped enormously that I didn't crash into any fire hydrants this time. The hills on the race course were ridiculously steep and long but I already knew that; I climb them a few times a year at a leisurely pace so I knew exactly what to expect. I had fun with it just as I planned. I was delighted to pick up my race bib and discover that I was given #13. Throughout the second half of the race I did the pass-and-pass-back leapfrog with a runner wearing bib #7. Just past the halfway point we finally broke down and started chatting as we climbed ever upward and then ended up finishing together, holding hands and cheering jubilantly because we were dead last and thrilled with our condition. It was far and away the toughest 10k course I've ever seen. I know it is hard for my non-running readers to understand how something so difficult could be so much fun but it's all in your attitude. A last place finish was the funniest possible ending and when it turned out to still be good enough for 3rd place in my age group, it was funnier still.
The art part of the adventure was also a jubilant win. AppleJack and I found a long lost piece of sculpture that we were positive was lost to us forever. Events over the last two years conspired to keep us from acquiring a specific artist's piece that we left behind on our first anniversary trip. Every time we have gone back for it since then we found it still missing. Surprise! This time the artist had been there in the off season! AppleJack found her work in a glass case while I was negotiating an after hours massage with the art dealer. Our hearts' desire finally came home with us four trips later. When I unwrapped the sculpture from his many dressings he said to me "I am Francis." I relayed this information to AppleJack. He shook his head and said, "Nope, he told me his name was Thornton." Francis Thornton is now holding court with the ghosts at the Jesus Crack House as if he owned the place. I will plan a photo shoot as soon as we get another rainy day.
The rest of the weekend was a simmered soup of shellfish, piano bar frolic, stray cat strutting, tuffet shopping, and twice a day hot tub soaks. The inn was guarded by a dog with a mohawk. There was a Lovin' Spoonful in the lobby. Newlyweds paid a professional photographer to take a picture of the wedding party in front of the local convenience store. Not kidding about any of it. Is it any wonder I love that place? We came home to find spring sprung and plans for The Zombie to come live with us for his last two years of high school. The Zombie is still negotiable; we will have wait for orders. Spring is not; change of season orders have already been posted in Arkansas. I more or less blew back into town on the heels of a thunderstorm, hopped directly into the stirrups at the doctor's office, and then immediately went to work and put in my request for summer vacation. Give me a taste of adventure and it really only makes me want another taste.
With only three days left until Spring Break, I think I can make it. I will sit upon my tuffet and meditate on what it will be like to be a full time parent. I will plan my next trip, conjure up personalities for inanimate sculptures, and keep plugging away on the novel. Hump Day cometh. I fondleth all humps.
(c) 2012, ACG

The weekend wander was such a success I am only now feeling recovered enough to give you the low down. The trail race was hilly and chilly but since the time clock malfunctioned no one received finishing times. I took this as an opportunity to exercise the alternative perspective and appreciate the race for all the other good reasons to run it. I ran it to support my good friend at her first race directing gig. I ran it with AppleJack coaching me up the rolling hills and across the suspended footbridges. I ran it to support the Fine Arts program at a local high school. I ran it for the adventure of the trail. I ran it for the surprise of stumbling upon a gaggle of peacocks with tail feathers about as long as my car. I ran it for the joy of running during what was probably the last cold morning before Arkansas turns on the hell-heat. I ran it for the chance to get naked in the woods cleverly disguised as changing into dry clothes. I ran it in for the unique feeling of rebellion that comes to those that then set out on a full day's activities without taking a shower. Doesn't matter what my finish time was or wasn't; I got lots more out of it than a number.
I ordered naked French toast at the breakfast diner. That's French toast with no suger and no syrup, just a little salt. I ate it with my fingers too. Later I would eat something called duck confit, also with my fingers, and purple tuna with wasabi so hot it could probably cure cancer. That was eaten with a chopstick though. The spice theme was to be carried throughout the day after my relatively calm breakfast as I drank fiery Bloody Marys at the race track. That's horse racing, not car racing.
The wandering began directly after breakfast, on foot. It included mostly art galleries and admiration of an old city in various stages of face lift. The bones of it are still lovely even if the facade is cracked and peeling. It was early enough in the season that there weren't many tourists milling around but there were some interesting locals to observe. One lady apologized to us for playing Frank Sinatra in her shop before noon, as if this was a great social faux pas. AppleJack assured her that any time of the day was a fine time for Frank. We spent more time in her shop chatting than shopping because she was so lively and engaging. She didn't ask the usual boring slate of questions. She had a personality that transcended retail banter and made you want to share a meal with her. I bought a purple bohemian scarf and left her in good spirits during the second verse of I've Got You Under My Skin.
I knew there were two yoga studios in the area. We went in search of them and found them both. They were both closed. However, one of them turned out to be a school where new and improved yoga teachers are trained. OOOOOooooooo! Yoga teacher training this close to home? Intriguing! Fondling the idea. We found a couple of chef stores for AppleJack to fondle too and one of them had the most incredible back door--like a dungeon. I didn't realize I was being observed on a security camera taking pictures of the ancient hinges and pulleys until we got inside the store and the owner told us we could have come in that way. Unfortunately I forgot Peaco. He was so disappointed he didn't get a chance to play with the dungeon doors where old gangsters got shot down under the gaslights while girls in garters sipped from flasks in shiny black cars.
Now about this horse racing. Yes, I grew up in Kentucky. Yes, I lived, worked, and attended college in the city where the Kentucky Derby is held. No, I never attended a horse race the entire time I lived there. I had to grow all the way up, travel across the country and back again, and finally settle in Arkansas before I would attend my first horse race. Knowing virtually nothing about the sport beyond my hometown Derby, the event was mostly a study of human behavior than anything else. This was a prime venue for people-watching, all gambling aside. Being only a few feet away from the horses as they finished was thrilling. Being only inches away from the angry rednecks as they spilled their beer and screamed expletives at the horses was less than thrilling but it was obvious that the only way to have one without the other was to pay for the segregation. I didn't pay. I stood at the rail and watched and learned. I got excited. I got disgusted. I got that gurgly mix of amused/appalled/appreciative at public displays of the grotesque and the gorgeous.
It was curious to me that inside the grounds near the betting windows were long benches where people took the initiative to segregate themselves by race and income. It really resembled a secular or recreational version of a church. The wealthy people ascended three stories above the rabble and ensconced themselves in glass walls and assigned seating. The common/poor/black folk down on the first floor pit sat on benches in dim lighting and ate hot dogs. The pit faced a feature wall of big screens showing other races going on around the country at other tracks and a long row of windows for placing bets. Folks sat on the benches to consider their bets, hang their heads, or rest before heading back outside into the sunlight with the herd to watch the next race. We stayed on our feet as AppleJack took me to the paddocks, showed me the grounds, and we filtered in and out with the rhythm of the races.
When sustenance was required we needed a place to sit and eat our sandwiches. Mine was a two-hander reuben oozing with saurkraut so I couldn't stand and eat it. Black folks sat to themselves on the left benches, white folks on the right. Kids of all color ran around playing with discarded betting slips accumulating on the floor. It was a full house. There was nowhere to sit. AppleJack resorted to balancing his box on the top of a garbage can while leaning against a pillar. I circled the benches like an usher trying to pass an offering plate a third time before giving up and planting my white ass over on the black side. A long row of burly black fellows looked up in shock as I approached and pointed to a space between them just big enough to fit my hips. I asked if I could sit. They nodded in agreement and looked at each other before looking anywhere else but over at me. I turned around and motioned to AppleJack standing in the rear. He grinned at me and kept eating. I dug in to my drippy lunch feeling like a lioness at feeding time at the zoo and waited for someone to speak to me. No one did. I could feel them staring though.
I washed down the sandwich with a couple of the aforementioned Bloody Marys and watched the afternoon's races whiz by in a blur of black, grey, and chestnut. It's funny that when you find yourself in close quarters with a large group of the general public you can't help but notice the beautiful people and the freaky people. Of the two I think I prefer the freaky people--at least they have character. What I noticed about the beautiful people is that they all looked the same. They all wore the same kind of clothes, same hairstyles, same style of makeup, carried the same bags, same giant sunglasses, same knee-high leather boots or platform heels. They were genuinely beautiful, yes, but a homogenized beautiful; fashion magazine beautiful. It was as if all the pretty women followed the same formula for pretty. None of the pretty men dared deviate from the narrow prescription written for them either. It actually made the freaky people more fun to watch; at least they were original and daring and didn't appear to be cookie cutter imitations of the last pretty girl that walked by.
After the track, dinner was fusion. We picked it over four other places. We squeezed in to a 4:30 seating between reservations feeling grimy from the track and underdressed for the service but eager for an adventurous menu. We were pleased. Tired, sated, and still unwashed from the morning's race, the foot travel, and the dirty racetrack, we journeyed home under the glow of Jupiter and Venus visible by the waxing moon. After a bath it was useless to fight sleep after such a full day. I think we were out cold before 9:30 p.m. Even if it all sounds rather pedestrian to the onlooker, it was the lack of structure that made it adventurous. No plan meant that every moment felt like a fun choice rather than an appointment with fun. We came home with gourmet condiments, a purple scarf, and a day full of experiences that were gathered by a willingness to open ourselves to any fork in the road. Not having a plan does not mean you don't have anything to do; it means you don't have to do anything. You can simply play, all day, fondling the direction that a lack of direction leads. I had a great time.
(c) 2012, ACG
Still plugging away on editing the novel. It’s funny. Now that I’ve more or less written it I don’t have that feeling of monumental accomplishment that I imagined. I spent my whole life up to this point wanting to write this book and now that I have written it I have to admit that it doesn’t really feel like a life’s work. This is not because I’m unhappy or dissatisfied with the work; I’m not. I like it. I think it’s good. But it just doesn’t feel like the artistic summit I imagined it would after so many years of wanting it so badly. It still feels like something I needed to do and I’m really glad I did. I’m going to see it through to completion but I have to be honest and say that there really aren’t any feelings of catharsis or epiphany. I am happy to have turned a wish into reality but now that it’s done (in terms of the writing) I guess it just no longer seems like such a big deal. I’ll still publish it but I think my emotional investment in it has changed. Even if it is well received I have the feeling that it was a milestone on a longer journey and not a finish line. Perhaps I was supposed to write it so that I would become a writer and then…well, that remains to be discovered, now doesn’t it? Maybe I was supposed to write a book so that I would grow into being comfortable and assertive with a gift but the book itself wasn’t necessarily the grand purpose of the gift. Perhaps it was a learning tool, like training wheels.
I’ve said at least a hundred times that it was never going to be about making money and it still isn’t. I wrote it for me. Only now that I’ve written it I guess I no longer feel like I need it. I’m pleased and proud and all that jazz but I’m just sort of over it, as odd as that may sound. As I am re-reading it and editing it I see how I put my heart into it but now my heart feels ready for something else. Ironically, this feeling of detachment seems to help the editing process quite a bit in terms of objectivity. I’m told most artists find it impossible to be objective about their work. I guess it gets easier once you outgrow the work (if that’s what I’ve done here). So now the motivation to get it all edited and tidied up is so that I can be free for whatever comes next. I have no clue what that might be. Maybe there is another book waiting; maybe something completely different. I don’t know. The joy of doing what I do is still as strong as ever but I guess I have just begun to measure it differently. It isn’t measured in novels anymore, if it ever was. Come to think of it, why measure it at all?
I always loved that line in the movie Frida when Diego Rivera tells Frida that his opinion of her work shouldn’t matter because, “If you’re a real painter, you’ll paint because you can’t live without painting.” I guess I no longer need to have Write A Novel out there as an impetus to write. Now that I have done it I can see that it never was a good reason to be writer. Being a writer because I don’t want to live without writing is the reason I’m doing it now. Whether it turns into books or something else or nothing else, the joy of letting myself write didn’t change when I checked the Write A Novel box. I am no happier and no sadder as a writer so it wasn’t the promise or the fruition of the novel making the magic. My old yoga teacher used to coax me not to practice goal-oriented yoga but to practice process-oriented yoga if I wanted it to be more than simply a performance. Perhaps that’s why I don’t seem particularly elated that I wrote a novel. At some point I began practicing process-oriented writing and stopped worrying about the outcome of it all. I know it must sound terribly anti-climactic but I’m not disappointed. I’m satisfied that I finally did what I meant to do but now that it’s done I feel that it wasn’t ALL I was meant to do.
I don’t know what else. I don’t have to know right now. It will come to me. I’ve still got lots of editing to finish in the meantime.
Danielle LaPorte has a Burning Question series going on over at her site in which she has asked her readers to name one dumb thing they used to believe in. Wow, just one? I've got a metric ton of dumb things I used to believe in. Hell, half of them got me started as a blogger! The hours I used to waste blogging about the way things ought to be and the ways people ought to behave are staggering to remember. Did I really ever waste all that energy being irritated by everyday dumbassity? Yes, I did. I did it because one of the biggest dumb things I ever believed was that I was right.
That's not to say I decided I was wrong. I just finally wised up about the notion that my choices were right and someone else's were wrong. There is no such thing as a right choice or a wrong choice. Choice cannot be right or wrong; good or bad. Choices can be made from healthy places of good intentions or they can be made from dark places of ignorance and pain but it isn't the choice that is right or wrong. The choices we are make for our lives are directly relative to either the truths we admit to ourselves or the lies we tell ourselves. When those things influence our choices then our choices cannot help but be indicative of what motivated them. That doesn't make them right or wrong, it only makes them symptomatic of their root cause.
I'm not right and you aren't wrong; we simply have different needs we are nursing with our truths and untruths. Your choices will change when you embrace your truths, as do/have/will my choices. It's the same with our untruths. When we stop feeding ourselves illusions we stop making choices that support them. It makes no sense to assign qualities of right or wrong to choices simply because they differ from ours because at any given time we are all at different phases of living our real truths--maybe just living them a little, maybe not liiving them at all. Just like everyone assimilates to potty training at different speeds and via different motivations, so we all come to face our truths at different paces and via different paths. You aren't right just because you are a little further along and neither am I.
(c) 2012, ACG


It was a passionate meal last night at The Jesus Crack House. The chef worked hard. We got the best table in the place with no waiting. I wore my hair up.
Wild mushroom salad
Oysters
Pan seared duck breast
Indian Bayou rice
Red wine
German chocolate cake
Coffee
It was good. A great inspiration to writers of novels, readers of magical women, and lovers of poetry. The inner sanctuaries of light and music were stirred. Simple. Genuine. Free from expectation and therefore free of limitation.
Today is one of those days I call a Bonus Day. Bonus Days are the days in which your best laid plans are supplanted by something else, such as weather. When your day doesn't go (or at least start) the way you intended you get a bonus day of something you didn't intend. I knew it was supposed to rain in the afternoon so I got up early to run before work. Rain came early--about seven hours early! Thunder and lightning with it. So I get a Bonus Morning to sip tea and read good things and write a little. Devil Cat looks angelic curled up beside me and the earth is getting a good long drink in the dark. My plans didn't get ruined. They just got changed.
Chill Monsters know the measure of love.
It ain't Valentine's Day.
(c) 2012, ACG

The Magic Tea Cup spoke again over the weekend.
I don't know what this is. Looks sort of feline to me.
It's just too distinctive and well defined to dismiss as another blob.
But I don't know what else it is. Puzzle pieces maybe? A map?
I still think I see some kind of big cat face/head, so I dunno.
What do you see?
(c) 2012, ACG
I'm keeping it light today. I have a race in the morning and it is supposed to rain buckets, as it usually does. My running buddies are taking me out for a belated birthday dinner tonight too so I just feel like playing today. I didn't have an Ugly Doll on hand but I did have my Chill Monster so we did a little office yoga. Here are the highlights of our desktop practice:
Ardha Matsyendrasana (Seated Twist)
The dawn of my 40th year was foggy and overcast. AppleJack and I rose early for a birthday run in the dark and woke every dog in the neighborhood. Hellraising seemed appropriate for the occasion even if it was unintentional. Cousin Leigha asked me yesterday if I was going to go out and do something young and dumb to celebrate the end of my youth. As I passed a sleeping house with about five yapping dogs throwing a fit in the living room window I figured I did something old and mean instead.
The first gift of the day was that AppleJack took the week off. The family texts started coming in as I got ready for work. When I got to work I found that my office had been converted to a temple. Black streamers hung from the doorway and the ceiling. The door bore signs heralding 40 and wishing me happiness. One sign read “With Age Comes Wisdom. That’s why we love our Sassyisms!” I thought this reference was just a clue that the decorators had been reading them and liked them. Well, yes and no. They had definitely read them but there was more to come on that.
I was given a pink sparkling tiara with marabou feathers to wear and a black ribbon to pin over my breast advertising my age. The floor was completely covered with balloons—black, yellow, and sassy grass green. My office chair had been converted into a silver throne. An altar was set up on one wall under banners wishing me more happiness. More black streamers hung in a canopy over my desk. On every wall were giant 40 signs and pithy sayings such as “OLD AS MOLD, “ “OLDER THAN DIRT,” “OVER THE HILL,” “If you were a car you’d be an antique!” and “What doesn’t hurt doesn’t work.” Everywhere the eye could rest was festooned with such a black sign and in the middle of my desk, spelled out in cupcakes with black icing letters, “Sassy is 40!.” This is why I didn’t notice the Sassyisms at first.
Then it hit me. There were white signs on the walls too. Holey buckets. The white signs were pieces of my writing! My coworkers had printed out the long list of my Sassyisms and passed it around. Everyone chose their favorites and then they were printed as signs and hung like pop art all around my desk. As soon as I noticed the first one I saw them all at once and my jaw dropped to my collarbone. For two heartbeats I thought I might cry but the glowing faces of my friends as they said “We picked our favorites!” was such a rush I quickly moved on to elation.
Then the parade began. One by one our clients came to my office and placed offerings on the altar. Packets of tea, candy, snacks, roses, and more cupcakes. Coworkers continued to bring in signs declaring me fierce and fabulous and 14,600 days old. Ugly Doll photos began to show up, including this one from my Dad.
The parade continued throughout the morning as clients came by with offerings for the altar and a hug. AppleJack had apparently been consulted for a list of my favorites so a basket on the altar slowly filled up with all my favorite things as the hours went by.
Then a parade of gifts began. A carrot cake to accompany the carrot cupcakes. A funny card. A magic wand. A suncatcher for my yoga room. A blessing ring. Vintage jewels from my co-dreamer’s grandmother. A tiny piece of handcrafted art that reads “A true friend hears the song in your heart and sings it back to you when you’ve forgotten it.” A one hour massage.
Just when I thought it was all slowing down came a bottle of Sassafras tea and a pink t-shirt with the proclamation Fine and Forty on one side and One Hot Mama on the other. Following that came the Top 40 hits of 1972 and palm-sized art prints tossed onto my desk like confetti. There was barely time to recover from that when a bouquet of paper daffodils arrived bearing a gift card for more tea.
When I came back from lunch even more clip art had been applied to my office, including a long list of celebrities born on my birthday and an exhaustive reference work all about the number 40. By the end of the day the basket on the altar was overflowing with treats as the clients kept pouring in one at a time with their offerings. One sang Happy Birthday to me and one brought me a handmade card with a house, a sun, her name, and the words Love You. On and on the parade went until it was time for the clients to board their buses and I was sure the festivities were finally over. Nope, not over.
As if all of that was not enough, my coworkers had all scoured the internet for inspirational quotes and pictures related to art, running, and yoga, and then made a handmade collage of them. They each chose pictures and quotes that said “Sassy” to them and then fastened them all to a board with vintage buttons. The entire collage was then framed for hanging and given to me as one final collaboration celebration. Or so I thought. After the clients had gone home for the day we cut the carrot cake and everyone came to sit crosslegged on the floor and have a little estrogen fest. Keep in mind that the entire floor was still covered with balloons.
After the cake was consumed we played a frenzied game of balloon volleyball with all the balloons at once until we were sweating and laughing and drawing a crowd in the hallway. To finish it off we all grabbed plastic forks and knives and then got down on our hands and knees to stab the balloons to death. It was an incredible day. I felt like I had been through some kind of Love Boot Camp. My face hurt from smiling so much. My brain could hardly hold it all. I drove home completely saturated with happy fatigue.
AppleJack had of course put his superior chef skills on display with a thai chili scallop crudo and fennel crusted ahi tuna with garlic aoli over lemon couscous. For dessert he made toasted coconut macaroons. Swoon. Wiggle. Swoon. Following dessert I learned that another massage had been procured for me and some seriously exotic gourmet tea from overseas had just cleared customs in the nick of time. After I was comfortably sated with an after-yonder glass of wine on the sofa the day was capped with calls from The Apples. The College Girl has just moved into her first apartment. The Zombie sent an Ugly Doll birthday-gram. I have said it before and I’ll say it again; Groundhog Eve is the absolute coolest birthday in the world.

As for turning 40 I am blown away by how much fun it all was. This was way more fun than turning 16, 18, 21, or 30. 40 feels delicious. It feels easier somehow; less angst, less crap, fewer ridiculous expectations of how things should be. It feels more appreciative and more intuitive. This feels much more “prime” than 25 or 35 did. I definitely feel less burdened and restricted than ever before. I have so much more satisfaction in life and with myself than ever before. The list of things that truly matter at 40 is a much shorter list and the items on that list are of a much higher quality. Friendships at 40 far exceed the frivolities of the younger years. Oh and by the way, sex is better at 40 than it was at 20, as is the food, the music, and the humor. As I said to a 35 year old woman who came by to see how I was dealing with turning 40, “I highly recommend it.”
© 2012, ACG
Today's image in the Magic Tea Cup was a fish. Yesterday it was either a butterfly or a small horse, depending on which way I turned the cup. Both images are were too faint to bother photographing.
Did I mention that you and I share the same DNA even though we are not related by blood? Yes you. Our DNA, yours and mine, is 99.99% identical. Did I also mention that your genetic code is 99.99% identical to everyone else's code? Our cells--all of us--are 99.99% the same. The girl you love to hate, the boy who broke your heart, the criminal, the martyr, the celebrity, the nameless person you just passed in traffic, everyone with whom you've ever shaken hands; all 99.99% identical to you at a cellular level.
There is no Us and Them. We are all Us and we are all Them, down to 99.99% exactly the same. If you map our genetic code you find out there is more about us the same than different--overwhelmingly more. We are 99.99% the same and only .01% different.
Ancient philosophers say that we are only capable of recognizing faults or character flaws in other people because we bear those same flaws. The people we hate are actually mirroring what is already within us and our repulsion is our recognition of those ugly things. Otherwise we don't notice or at least don't have a strong emotional reaction them. In that vein, what you hate about someone else you only hate because that same thing exists within you. Same with the people you love or the things about people you love--you recognize and admire what is already within you. Since we are 99.99% identical under the hood it would seem a huge waste of time to bother singling out someone else for something we all share. Yet we do, and then think ourselves better for it.
Turns out we aren't better. We are the same.
(c) 2012, ACG



The Magic Tea Cup has delivered a new image today--the moon. Upon longer review I decided it could also be a fat dolphin. Moon feels most right though. Seems kind of comforting in light of how much I am craving rest this week!
A theory about why I am so exhausted this week surfaced over a morning meeting of what I like to call the Estrogen Cloister (a closed circle of familial women). It was suggested that I am tired because I am so tuned in to the folks around me who have had a particularly rough emotional week. While my week was hard in terms of physical labor those around me had to endure above-average stress and anxiety. I'm tired by association to them because my connections to them are so strong. Even if I am not directly involved in their problems I am affected by them by virtue of my constant spiritual connection (which is apparently involuntary now). Interesting theory. I hadn't considered that when I was mentally calculating what else might be wearing me out. So I guess this would be an appropriate time to resurrect the old Sassyism "You people make me tired."
Whatever the reason for my malaise I am keeping it short today in the interest of recharging and being able to bring you better blogging over the weekend. I have a big art feature to show you and I want to feel perky before I tackle it, so I'm off to fondle moderation for a few hours. Ta Ta.
(c) 2012, ACG

Bella asked me to show her the place where I put my head down to rest, to sleep, to dream. She asked me to show her where I go to renew my spirit. Ironically, I find that I need to do all of these things in the mornings rather than the evenings so I have not actually shown a place where I sleep. I do, however, do all of those other things here. I have tea and light candles and greet the morning in my sock feet. I journal my dreams and treat myself well. I need to ease into the day so I practice being kind to myself first thing in the morning. Then I practice sunrise yoga to build inspiration for the day before I ever leave the house.
These old-school pillows were made from more of the fabric that came out of my mother-in-law's cedar chest after she died. My dear friend who finished off all of those ancient quilts crafted some bonus pillows out of this surplus fabric. Their soothing comfort cradles me awake as I slowly transition from sleep to yoga mat to bath and finally to work.
This is the first place I come as soon as I leave the bed in the morning and the last place I stay before returning to the bed at night. In the evenings I meditate here and read good things over chamomile and more candlelight. I put my College Girl to sleep here when she visits. I listen to the neighbor's dog barking good mornings or good evenings to my dog. I hear the morning and evening chimes from the belfry at the Catholic Church. I see the soft glow of daylight blooming or fading away. Sometimes I listen to Garth Stevenson and enjoy the sweetness of doing nothing. Renewing my spirit is an uncomplicated affair. There is no television or clock in the room; just four big pillows, a window, and the landscape of my mind.
(c) 2012, ACG
Since I played with the idea off and on through the month of November last year I decided to join Urban Muser's self-portrait journey in 2012. The theme for January is " a piece of me." All portraits have to include at least one part of my body. I can take as many self-portraits as I like in January with this theme. I've decided to try one a week and see how that goes. Then at the end of the month I share 'em all with the rest of the class.
Here's my starter portrait for Week 1:
Beautiful Shoulder
My portrait for Week 2:
Beautiful Thigh
My portrait for Week 3:
Beautiful Hand
My portrait for Week4:
Beautiful Neck
(c) 2012, ACG
Drinking from the square cup taught me something new. Sipping from the straight sides caused tiny bits of spillage where my round lips pursed against long edge. I found it difficult to drink so I turned the corner against my mouth and tried again.
Sipping from the corner wasn’t sipping at all. It was pouring. It was pouring the tea into me. It ceased to be me drinking a beverage from a vessel. I became the vessel and tea was poured to me as an offering--an offering to me, from me.
Now I see the act of eating and drinking as nurturing, not simply maintenance. I am no longer eating food. I am serving myself food. I am being filled with food. Each spoonful is a tiny offering from the part of me that supports my work to the part of me that performs my work. When I prepare the food or the tea I become an instrument of my work’s sustenance. When the food or tea is prepared for me I become a vessel to receive and be inspired by the offering—the work—of someone else.
I don’t see it as simple fuel for living anymore. I see it as one divine act supporting another. As we become willing vessels for offerings from ourselves or from others we may continue to fill others with our own unique offerings to them, and so on and so on. I offer myself tea to comfort and inspire so that you may be comforted and inspired by my words. As such, I become comforted and inspired by your appreciation, and so it goes.
It was just a sip of tea from a square cup—an avenue of wisdom that feels as old as the ritual of tea itself, yet freshly relevant to me as the grateful new bearer.
(c) 2012, ACG
The Magic Tea Cup delivered a new image this morning after two days of blobs. My first thought was Arrow, as in keep going, move forward, or maybe even look up. I suppose it could also be a mushroom or a tree, or maybe it's nothing at all.
Another dream connection to the real world occured yesterday. I dreamed a worry that a woman I know would commit suicide on the same night she woke up with a medical problem that made her afraid she was going to die. See the Dream Diary for the details. I am not going to divulge the nature of her medical problem for privacy reasons but I will say that if I woke up to similar conditions I would probably also fear for my life. There were also three occurrences of the number three involved. Now that I think about it, the Ugly Doll that I have her is Pointy Max--an arrow-shaped doll. Click to see him. Interesting connections here.
(c) 2012, ACG
It is Wednesday and that means Work On My Novel day. If there is extra time for extra writing I will be supplementing with more sass this evening but for now I will get the day started by fulfilling Bella's request for a photo of color that stirs up emotion. This was irresistible to me! You can be white with fright or white in a blinding rage--take your pick. Either way, this little Chill Monster makes me grin back at his snaggle-toothed stitches because for me, he evokes mirth.
He was a Christmas gift. Since he came with an icicle-covered coffee mug, I think he was supposed to chase away the chill. I prefer to think of him as chasing away stress when I need to chill the hell out. That's why he lives at work, just over my shoulder. He reminds of how I must look or even how I might be acting when I'm stressed out--like a monster. Alternatively, he prevents me from getting that far by signaling that it's time to chill now. So if "chilling out" has a color, I am calling it white. Calm before storm white. Calm after venting white. Like the kind of tired you are after laughing really, really hard or throwing a tantrum. Like the kind of drained you are after dealing gracefully with really hairy day. Like the kind of serenity you seek before letting things get out of hand. Get it?
(c) 2012, ACG